ESCRITURA

June 13, 2015

The handwriting typeface Escritura was created for editorial purposes and the letter forms are influenced by chancery handwriting from the Italian Renaissance. The asymmetrical shapes of the undulating serifs cause the characters to have a large aperture. Originally designed for display sizes, the typeface also comes in a text version for small sizes. With taller vertical proportions, the text version has slightly longer serifs and increased white space between the characters to optimize legibility in small sizes.  Myfonts.com    Fonts.com    Linotype    Specimen: issuu.com [11/06/2015] 

XALOC

May 25, 2015

xaloc_news 2Xaloc was designed for editorial use in books, magazines and newspapers. This typeface family contains different font versions for different optical sizes; Caption, Text, Subhead and Display, all of them with different x-height proportions and contrast. Its design approach enhances text flow and continuous reading. Xaloc is the Catalonian name from the Mediterranean wind that comes from the Sahara and reaches hurricane speeds in North Africa and Southern Europe.  Myfonts.com [15/05/2015] 

TDL RUHA LATIN

April 18, 2014

ruha_latin_news

Designed by Tipos das Letras, TDL Ruha Latin is a modern and mechanical serif typeface and it results from the development of the stencil RUHA. Being the first typeface of the family, sets the basic concepts to be developed further, on each version to come. There is rational and geometrical connection with the Roman du Roi design approach, since the letterforms are imposed by the constraints of the RUHA ruler. Maintaining the same structure with different typographical and stylistic properties, the stencil allowed to explore a modern typeface, with vertical stress, high contrast between the thick and thin strokes and triangular serifs. Myfonts.com [18/04/2014] 

DTL RUHA HAIRLINE

April 18, 2014

ruha_hairline_news

Designed by Tipos das Letras, TDL Ruha Harline is a modern and mechanical serif typeface and is the result of stencil’s RUHA development. Being the first typeface of the family, it sets the basic concepts for further development, on each version to come. Maintaining the same structure with different typographical and stylistic properties, the stencil allows to explore a modern typeface, with vertical stress, high contrast between the thick and thin strokes and hairline serifs. Myfonts.com [18/04/2014]