Grafia Sans is a geometric humanist sans-serif with close terminals, which was originally designed as a custom brand typeface for the YoYo studio (Barcelona) 2005. Originally the YOYO studio used Helvetica on there own branding and they wanted to maintain the same typographic neutral atmosphere. After all this years this typeface family was redesign and finished to be published. Mfonts.com and Linotype.
Now you can find Escritura typeface available on the Linotype font catalog (website).
Xaloc typeface designed by Tiponautas was selected as one of the text fonts of the month (June-2015).
The handwriting typeface Escritura was created for editorial purposes and the letter forms are influenced by chancery handwriting from the Italian Renaissance. The asymmetrical shapes of the undulating serifs cause the characters to have a large aperture. Originally designed for display sizes, the typeface also comes in a text version for small sizes. With taller vertical proportions, the text version has slightly longer serifs and increased white space between the characters to optimize legibility in small sizes.
Xaloc was designed for editorial use in books, magazines and newspapers. This typeface family contains different font versions for different optical sizes; Caption, Text, Subhead and Display, all of them with different x-height proportions and contrast. Its design approach enhances text flow and continuous reading. Xaloc is the Catalonian name from the Mediterranean wind that comes from the Sahara and reaches hurricane speeds in North Africa and Southern Europe.
Designed by Tipos das Letras, TDL Ruha Latin is a modern and mechanical serif typeface and it results from the development of the stencil RUHA. Being the first typeface of the family, sets the basic concepts to be developed further, on each version to come. There is an rigid geometrical connection with the Roman du Roi design approach, since the letterforms are imposed by the constraints of the RUHA ruler. Maintaining the same structure with different typographical and stylistic properties, the stencil allowed to explore a modern typeface, with vertical stress, high contrast between the thick and thin strokes and triangular serifs.
Designed by Tipos das Letras, TDL Ruha Harline is a modern and mechanical serif typeface and is the result of stencil’s RUHA development. Being the first typeface of the family, it sets the basic concepts for further development, on each version to come. The design approach, results from a rigid geometrical connection with the Roman du Roi, since the letterforms are imposed by the constraints of the RUHA ruler. The main typographic proportions are connected with the modern typefaces, like Didot or Bodoni. Maintaining the same structure with different typographical and stylistic properties, the stencil allows to explore a modern typeface, with vertical stress, high contrast between the thick and thin strokes and hairline serifs. See more in myfonts.com